⭐️⭐️⭐️⭐️✨4

A subtitled South Korean dark comedy film that released in its home country in 2025. Available from this Friday the 23rd Jan in the UK by MUBI. I viewed a few days early as a Cineworld Unlimited see it first film preview, which drew quite a large audience.

A paper factory worker, after 25 years, is dismissed and decides to eliminate his main competition to secure another job. However, his eliminations and murders are messy and poorly planned which leads to many amusing moments.

While amusing and comedic, it also delves into thriller territory. Surprisingly, it’s quick-paced even at 2 hours 14 minutes. There are plenty of amusing moments in what can be described as art house.

Director Park Chan-Wook’s vision beautifully captures the sound and cinematography even with subtitles. The music definitely enhancing the experience. Many reviews consider it his masterpiece. The cast includes Lee Byung-hun, Son Ye-jin and Park Hee-soon. I also understand it’s been nominated for an Academy Award.

It’s an engrossing film and at times it reminded me of Netflix show “Black Mirror”, especially in its conclusion.

This is another film I usually wouldn’t choose to see but I’m glad that I did.

Film Rating

Music

4 out of 5 (mainly instrumental)

Story/plot

4 out of 5

Acting/Performances

4 out of 5

Overall

4 out of 5

Certification: 15
Running time: 139 minutes
Screening type: 2D

My quick takes…

(ALL)

  • Easter Eggs

    “ As Easter approaches, I’m hoping to stay strong and avoid chocolate. My goal is to eat just one egg. Can I manage that? “

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  • “Paradise” – Disney Plus/Hulu

    “The second season is nearly done, and somehow I’ve only just discovered this show. I’m about to start the series one finale and honestly, what a great watch it’s been. It feels like 24 meets Lost, with plenty of twists and surprises along the way. I’m hoping it just keeps getting better.“

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About the author

Martin Brophy is the creator of everythingelse.blog, a UK-based culture and entertainment blog covering film, television, live events and nostalgic media. With a background in customer service, logistics, IT and management, he brings a sharp eye for audience experience and value to every review. He is also the creator of Magic Seats, a dedicated content channel spotlighting UK magic shows and performers.

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