Unrated

Though I’m a fan of Prince, it had been years since I’d seen even part of Purple Rain on TV, and never on the big screen, so it felt like the perfect chance to finally experience it properly.

The film and soundtrack were, of course, huge hits, packed with iconic imagery, especially Prince on the motorbike. But despite that nostalgia, I was genuinely taken aback. Aside from some strong early performance footage, the film itself felt dreadful. The acting was so poor it bordered on comical, with editing choices that seemed designed to hide it, distant shots and awkward voiceovers.

I made it about 30 minutes in before walking out, and I wasn’t the only one. Maybe it lands better if you’re a die-hard fan, but for me it felt like a real Marmite experience.

If you can overlook the weak acting and thin story, there’s still value in the music, which is likely the main reason it became such a success in the first place. Personally, I just couldn’t justify sticking with something I wasn’t enjoying, so I’ve chosen not to rate it. Had it simply been a concert film, I suspect I’d have enjoyed it much more.

Purple Rain follows “The Kid,” a talented but troubled musician (played by Prince) trying to make a name for himself in the Minneapolis club scene while battling a turbulent home life and his own emotional immaturity. As he competes with rival acts and struggles to control his relationships—particularly with aspiring singer Apollonia—his personal issues begin to spill into his music and performances. Ultimately, he must confront his inner demons and channel his pain into something meaningful, culminating in a defining live performance that redeems both his career and sense of self.

Online synopsis

Certification: 15
Running time: 111 minutes
Screening type: 2D

My quick takes…

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About the author

Martin Brophy is the creator of everythingelse.blog, a UK-based culture and entertainment blog covering film, television, live events and nostalgic media. With a background in customer service, logistics, IT and management, he brings a sharp eye for audience experience and value to every review. He is also the creator of Magic Seats, a dedicated content channel spotlighting UK magic shows and performers.

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